<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:georss="http://www.georss.org/georss" xmlns:geo="http://www.w3.org/2003/01/geo/wgs84_pos#" xmlns:media="http://search.yahoo.com/mrss/"
		>
<channel>
	<title>Comments on: Film: No Africans at Cannes. In the backroom, yeh.</title>
	<atom:link href="http://theleoafricanus.com/2008/05/13/africa-at-cannes/feed/" rel="self" type="application/rss+xml" />
	<link>http://theleoafricanus.com/2008/05/13/africa-at-cannes/</link>
	<description></description>
	<lastBuildDate>Fri, 10 Feb 2012 13:43:07 +0000</lastBuildDate>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
	<generator>http://wordpress.com/</generator>
	<item>
		<title>By: Goodbye Solo gets the love &#171; Africa is a Country</title>
		<link>http://theleoafricanus.com/2008/05/13/africa-at-cannes/#comment-876</link>
		<dc:creator><![CDATA[Goodbye Solo gets the love &#171; Africa is a Country]]></dc:creator>
		<pubDate>Thu, 02 Oct 2008 01:47:15 +0000</pubDate>
		<guid isPermaLink="false">http://leoafricanus.wordpress.com/?p=306#comment-876</guid>
		<description><![CDATA[[...] news: Haile Gerima&#8217;s &#8220;Teza&#8221; won the best screenplay at the Venice Film Festival. Tell that to Cannes. Rub it [...]]]></description>
		<content:encoded><![CDATA[<p>[...] news: Haile Gerima&#8217;s &#8220;Teza&#8221; won the best screenplay at the Venice Film Festival. Tell that to Cannes. Rub it [...]</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Cannes &#8216;is like a nightclub singer&#8217; and war porn &#171; Africa is a Country</title>
		<link>http://theleoafricanus.com/2008/05/13/africa-at-cannes/#comment-380</link>
		<dc:creator><![CDATA[Cannes &#8216;is like a nightclub singer&#8217; and war porn &#171; Africa is a Country]]></dc:creator>
		<pubDate>Tue, 27 May 2008 14:19:14 +0000</pubDate>
		<guid isPermaLink="false">http://leoafricanus.wordpress.com/?p=306#comment-380</guid>
		<description><![CDATA[[...] 27, 2008 &#183; No Comments   The Cannes Film Festival is now over. I had earlier noted that no African film had made the cut for the official (or main) program, but were relegated to a [...]]]></description>
		<content:encoded><![CDATA[<p>[...] 27, 2008 &middot; No Comments   The Cannes Film Festival is now over. I had earlier noted that no African film had made the cut for the official (or main) program, but were relegated to a [...]</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Mwangi - the Displaced African</title>
		<link>http://theleoafricanus.com/2008/05/13/africa-at-cannes/#comment-207</link>
		<dc:creator><![CDATA[Mwangi - the Displaced African]]></dc:creator>
		<pubDate>Thu, 15 May 2008 20:25:59 +0000</pubDate>
		<guid isPermaLink="false">http://leoafricanus.wordpress.com/?p=306#comment-207</guid>
		<description><![CDATA[As I posted on Global Voices Online:

Speaking as an ex-film student I can give my take on why that is:
1) The arts are not highly valued in Africa and as such a lot of the bright minds forego film school in favour of white collar positions.
2) There are no societal incentives to go into film which results in the same consequence as number 1.
3) I don&#039;t know about other countries but in Kenya, the quality of the equipment is very low resulting in a poor quality product
As far as I can tell these are among the primary reasons that a lot of sub-saharan Africa probably didn&#039;t even make enough movies to submit.
As for why there were no Nollywood films...go figure....forget them anyway, let&#039;s make Lagos our arts capital :)]]></description>
		<content:encoded><![CDATA[<p>As I posted on Global Voices Online:</p>
<p>Speaking as an ex-film student I can give my take on why that is:<br />
1) The arts are not highly valued in Africa and as such a lot of the bright minds forego film school in favour of white collar positions.<br />
2) There are no societal incentives to go into film which results in the same consequence as number 1.<br />
3) I don&#8217;t know about other countries but in Kenya, the quality of the equipment is very low resulting in a poor quality product<br />
As far as I can tell these are among the primary reasons that a lot of sub-saharan Africa probably didn&#8217;t even make enough movies to submit.<br />
As for why there were no Nollywood films&#8230;go figure&#8230;.forget them anyway, let&#8217;s make Lagos our arts capital <img src='http://s0.wp.com/wp-includes/images/smilies/icon_smile.gif' alt=':)' class='wp-smiley' /> </p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Global Voices Online &#187; Africa: Cannes International Film Festival</title>
		<link>http://theleoafricanus.com/2008/05/13/africa-at-cannes/#comment-201</link>
		<dc:creator><![CDATA[Global Voices Online &#187; Africa: Cannes International Film Festival]]></dc:creator>
		<pubDate>Wed, 14 May 2008 18:41:15 +0000</pubDate>
		<guid isPermaLink="false">http://leoafricanus.wordpress.com/?p=306#comment-201</guid>
		<description><![CDATA[[...] Leo Africanus wonders why there are not African films at the Cannes International Film Festival: &#8220;I may be missing something, but no African film or film with an African theme (including North Africa) made the official cut.&#8221;   Posted by Ndesanjo Macha   Share This [...]]]></description>
		<content:encoded><![CDATA[<p>[...] Leo Africanus wonders why there are not African films at the Cannes International Film Festival: &#8220;I may be missing something, but no African film or film with an African theme (including North Africa) made the official cut.&#8221;   Posted by Ndesanjo Macha   Share This [...]</p>
]]></content:encoded>
	</item>
</channel>
</rss>

