“You Think You Know Me…” Jazz Broadcasting Under Apartheid
Gwen Ansell
Louis Armstrong Visiting Professor, Columbia University Fall 2008
In 1955, the South African Broadcasting Corporation’s controller of ‘Bantu Music,” Dr. Yvonne Huskisson, had declared that the aim of official cultural policy was to wean Africans away from jazz. By 1969, however, she was praising the SABC for “leading” Africans towards this “sophisticated” music (at least a third of documented working black composers were working in jazz by that time), and by the mid ‘70s, she was taking a credit as producer on SABC transcription recordings of jazz. How did South African jazz survive, thrive and win this war of the airwaves under the highly unfavorable conditions of the apartheid police state – and what was it about jazz as a music that put it at the center of this struggle?
Thursday, December 4, 2008, 7:30 pm
620 Dodge Hall, Columbia University Morningside Campus
116th and Broadway, New York City
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